“STEALING BASE: Cuba at Bat” Explores Baseball, Culture, Politics and More

STEALING BASE: Cuba at Bat is a visual exploration of baseball through the varied perspectives of Cuban-born artists, and will be on view at the Oglethorpe University Museum of Art through December 7, 2014.

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Arlés del Rio, Untitled from the series Esperando que caigan las cosas del cielo or Deporte nacional (Hoping That Things Fall from the Sky or National Sport), 2012. Shelley and Donald Rubin Private Collection.

The exhibition, part of the Shelley and Donald Rubin Exhibition Series, features works by 16 established and emerging artists: Jesoviel Abstengo-Chaviano, Alejandro Aguilera, Carlos Cárdenas, Yunier Hernández Figueroa, Duniesky Martín, Frank Ernesto Martínez González, Bernardo Navarro Tomas, Juan Padrón, Douglas Pérez Castro, Arlés del Rio, Perfecto Romero, Reynerio Tamayo, José Angel Toirac, Harold Vázquez Ley, Villalvilla, and Quisqueya Henríquez.  Mr. Rubin is a 1956 alumnus of Oglethorpe University.

The exhibition is curated by Rachel Perera Weingeist, director and curator of The 8th Floor in New York, and Elizabeth Peterson, director of the OU Museum of Art, with an exhibition essay by Orlando Hernández, a Havana-based curator. The original exhibition concept was the result of a long collaboration between Weingeist and Hernández that culminated in the summer of 2013 at The 8th Floor Gallery in New York.

Baseball is today, without distinction of classes, age and sex,
the preferred diversion of all [Cubans].”
– El Sport (Havana), Sept. 2, 1886

The arrival of baseball in Cuba coincided with the emergence of the independence movement in 1868. The sport quickly became a collective emblem of national identity. A love for baseball connects Cubans across race, religion, politics and geography. Pop-flys, stolen bases, and home runs provide meaningful and accessible imagery for Cuban artists. Responding not only to the sport as national pastime, their work has further sought to convey larger complexities within Cuban society. Stealing Base presents the work of a diverse range of contemporary artists, living in Cuba and in the U.S., who have found potency in the imagery of the sport.

“Without question, baseball is a great generator of meanings,” writes Orlando Hernández in his exhibition essay. “The game can and should be used as a grand metaphor to express or to understand not only art but the very reality in which we live.”

“Baseball has played an important role in the impugning, critical, and revolutionary spirit that Cuban artists have demonstrated when faced with acts of dogmatism, official intolerance, and censorship,” Hernández concludes. “Thanks to these brave artists, we realize that the game is not over yet.”

A series of events celebrating baseball and Cuban culture will accompany the exhibition:

  • September 17, 7:00 p.m., “Art, Activism & Social Justice,” by Elizabeth Peterson, Director, Oglethorpe University Museum of Art. Ms. Peterson who is also an adjunct professor for a CORE Art & Culture class at OU, will explore the use of art in propaganda and protest in both Cuba and elsewhere.
  • October 1, 7:00 p.m., “Ideas & Inspirations,” by Atlanta-based artist Alejandro Aguilera.  Mr. Aguilera is an Atlanta-based artist creating a special installation in Stealing Base.  He will talk about his personal connections to the island and how his memories play out in his art.
  • October 15, 7:00 p.m., “Baseball:  A Bridge for Reconciliation” by Hoji Silva Miret, a freelance consultant in leisure travel and tourism.  Mr. Miret immigrated to the U.S. recently and is living in New York City.  He will be talking about travel and tourism and U.S./Cuba relations.
  • October 22, 7:00 p.m., “From Peter Pan to Atlanta,” by Jorge Fernandez, Vice President, Global Commerce, Metro Atlanta Chamber. Mr. Fernandez came to the U.S. via Miami at the age of 10 through Operation Peter Pan.  He was a command pilot for the United States Air Force for 22 years, a Vice President for Delta Air Lines, and is now a Vice President for MAC.  He will discuss his personal story.
  • October 29, 7:00 p.m., “Snowplows in Havana: Irony in Cuban Art,” by Dr. Gail Gelburd, Professor of Art History, Eastern Connecticut State University. Dr. Gelburd curated Aijaco: Stirrings of the Cuban Soul. Her research projects focus on socio-political discourse, environmental issues, global perspectives and non-Eurocentricities.
  • November 5, 7:00 p.m., “Rundown between Spain and the USA: Cuban Independence and National Identity,” by Dr. Nicholas Maher, Associate Professor of History, Oglethorpe University. Dr. Maher will lecture about the late 19th century Cuban Independence Movement and the background to Cuban national identity in navigating a path between Spanish and U.S. cultures.

OUMA is open Tuesday through Sunday, from 12 noon – 5 p.m. General admission is $5 or free with a Petrel Pass and for OUMA members and children 12 and under.

“Gables Oglethorpe” Residential Community to Open in 2015

hermance rendering updated

Oglethorpe University and Gables Residential, Inc., a real estate development company headquartered in Atlanta, have partnered to construct Gables Oglethorpe, a mixed-use luxury apartment community at the corner of Peachtree Road and Hermance Drive. Gables Residential will lease approximately seven acres of land from the university via a long-term land lease agreement, and will construct, operate, and maintain the new mixed-use community. Gables Oglethorpe will offer a new, convenient luxury apartment option for students and those desiring to live near Buckhead, Midtown and the Perimeter center area.

Projected to be Earthcraft certified, Gables Oglethorpe is designed by Atlanta-based architects Rule Joy Trammell + Rubio and will reflect and complement the signature Gothic architecture of Oglethorpe’s historic campus, set to celebrate its 100th anniversary in 2015. Groundbreaking is estimated for summer 2014, with anticipated occupancy to begin August 2015. The community will combine apartment living for all with the unique niche of a community park and green space, state-of-the-art classrooms, secure parking, and desirable recreational amenities.

“Oglethorpe’s residence halls are near capacity and we are need of additional space to accommodate our continued growth,” said Oglethorpe University President Lawrence Schall. “Our partnership with Gables Residential will allow us to fulfill that need as the new community will offer an alternative living choice for our students while shifting the financial risk away from the university.”

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President Schall in the Turner Lynch Campus Center

Oglethorpe has experienced significant growth during recent years, both in enrollment and through campus development. The university opened the $16M Turner Lynch Campus Center in 2013, and plans to further increase its current student population of 1100 to 1500 by 2020.

Joe Wilber, Senior Vice President – Investments East, for Gables Residential stated, “We are very excited to deliver a first class, vibrant community to the neighborhood that will complement Oglethorpe University.  The opportunity to design, develop and manage a high-end community in Brookhaven is exciting for us as it follows on the heels of our newest mixed-use community, Gables Emory Point.”

Gables Oglethorpe will be comprised of two 4-story residential buildings offering 374 apartment homes, consisting of studios (7%), 1 and 2-bedrooms (88%), and 3-bedrooms (5%).  Gables Oglethorpe will include 6,000 square feet of state-of-the-art classroom space, to be used by Oglethorpe University. New pedestrian pathways will offer secured, gated access for students between the Gables development and Oglethorpe’s main campus.

As Oglethorpe’s enrollment continues to grow, the goal is to ensure that the university is able to still offer a rich residential experience to all students. “Residential facilities have a profound, positive relationship to the recruitment and retention of students,” said Oglethorpe’s Dean of Students and Vice President for Campus Life Michelle Hall. “Students rank residential facilities as the most important destination to see on a campus visit and have the second highest impact, behind facilities in their academic major, on decisions to enroll.”

“This is an historic time for both Oglethorpe University and the Brookhaven area we’ve called home for almost 100 years,” said President Schall. “It’s not an overstatement to say that Oglethorpe has entered into an era of reinvigoration, innovation, and growth—and Gables Oglethorpe is the next step in that progress.”

For more information and updates, visit progress.oglethorpe.edu.

Petrel Intern Makes a Difference at the Latin American Association

479924_10151166982738446_1862507659_n (1)The Latin American Association was established in 1972 with the mission to help Latino families achieve their aspirations for their academic, social and economic advancement. This is accomplished through direct programs and integrated community partnerships that focus on youth academic achievement, education and prevention and services to families with urgent needs. Vicky Herbener ’14 is helping the association to fulfill those goals.

Vicky, an international studies major, wanted to intern with the Latin American Association because of her interest in helping immigrants to make a better life. There, she teaches English, Spanish and computer classes, plus she assists the program director with creating lesson plans. Her other duties include helping with marketing and fundraising. Vicky’s favorite part of her internship is seeing the results — the satisfaction of the people who once needed help.

10317663_10152500591464169_2758810045530574488_oAn LAA internship requires skills in writing, translating and the ability to interact effectively with different types of people. Vicky felt she was prepared thanks to her Oglethorpe education. “It’s important to translate a phrase into Spanish with the same meaning, she said, ” and because I translated so much at Oglethorpe, I felt prepared.”

Vicky advises students who are applying for internships to not to be afraid to apply for the ones you want, even those that may seem out of reach. “Don’t worry about if you have enough experience for it or not,” Vicky says. “Apply anyway, because you never know unless you try.”

Salvador Dalí, Mid Century Modern Exhibitions Headline at OU Museum of Art

This summer, the Oglethorpe University Museum of Art is presenting three concurrent exhibitions: MID CENTURY MODERN: Works on PaperSALVADOR DALÍ: Trilogy of Love, and KIMO MINTON: Jazz Abstractions, all on view through August 31.

“These exhibitions are inspired by the creative outpouring of art at mid 20th century, much of which was influenced by American jazz in its improvisational rhythm,” said OUMA Director Elizabeth Peterson. “Artists pulled narratives of dreamscape, religion, love, war, and other thematic motifs into a language of geometric and organic form, line, and color. This visual vocabulary could be combined or repeated like a musician playing variations on a theme.”

Joan Miró (1893-1983) The Lizzard with Golden Feathers

Joan Miró (1893-1983)
The Lizzard with Golden Feathers

MID CENTURY MODERN: Works on Paper features fine prints by American mid 20th century artists Alexander Calder, Helen Frankenthaler, Larry Rivers, Jim Dine, Adolph Gottlieb, and American composer/artist John Cage with Carl Sumsion are on loan from the Robert W. Woodruff Library at Emory University. Prints by Joan Miró, Marc Chagall, and others in the OUMA permanent collection will also be on view. These 1960s and ’70s works are a powerful representation of the Modernist, Surrealist, Abstract Expressionist movements in the U.S. and abroad. They also touch on the Color Field, Dada, and Kinetic art movements.

Salvador Dalí (1904–1989) The Prince of Love (The Hanged Man)

Salvador Dalí (1904–1989) The Prince of Love (The Hanged Man)

SALVADOR DALI: Trilogy of Love features a selection of large format lithographs by Salvador Dalí (1904-1989), including those in his Trilogy of Love series and his Retrospective Suite. Never one to embrace convention, this Spanish born giant of the Surrealist movement broke with fine print tradition producing hundreds of signed editions of his work. These prints are part of the OUMA permanent collection.

Kimo Minton (1950) Speak Riddles to Me

Kimo Minton (1950)
Speak Riddles to Me

KIMO MINTON: Jazz Abstractions presents a selection of color woodcuts, mixed media work, and sculpture by contemporary artist Kimo Minton (born 1950), courtesy of Atlanta’s TEW Galleries and the artist. Minton, whose work has been compared to that of American artist Stuart Davis (1892-1964) is pleased to embrace musical aesthetic viewers ascribe to his work. His free standing sculptures and bas relief wall pieces also bring to mind the work of one of the earliest Abstract artists Russian/French Wassily Kandinsky (1866-1944).

Oglethorpe University Museum of Art is open Tuesday-Sunday, 12 noon to 5 p.m. and closed Mondays and university holidays. General admission is $5. OUMA members and children under 12 receive free admission. Parking is free. OUMA is located on the third floor of Lowry Hall.

OUMA is supported by the Georgia Council for the Arts and is a proud member of Blue Star Museums, offering free admission to members of the military and their families from Memorial Day through Labor Day. OUMA is a member of the Southeastern Museums Conference, the American Alliance of Museums, and the Association of Academic Museums and Galleries. For more information, visit museum.oglethorpe.edu or call 404-364-8555.

Petrel Named Georgia National Guard Non-Commissioned Officer of the Year

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State Command Sergeant Major Stringfield, Oglethorpe junior Staff Sgt. Eric Hunt, and State Commanding General Jarrard.

The Army National Guardsmen annually holds a Non-Commissioned Officer competition that is comprised of multiple levels of various grueling tasks, both physical and mental.  This year, Oglethorpe junior and Stone Mountain, Ga. native Staff Sgt. Eric N. Hunt ’16, an infantryman with Alpha Company, 1st Battalion, 121st Infantry Regiment, 48th Infantry Brigade Combat Team, won the competition and was named Georgia National Guard Non-Commissioned Officer of the Year. Eric, an international studies major, has spent approximately five years in the Army and three years in the National Guard.

In order to compete for the NCO recipient for the state level, Eric endured several levels of competition. The first level is the Battalion, which is held for one day in January. Competitors who are successful in the first level move on to the Brigade level, which occurs for three days in February. Finally, the state NCO candidates are put through a four-day competition in March.

Competitors are put through multiple types of physical and mental tests. First, is the fitness test, which includes push-ups, sit-ups and a two-mile run. An exam with general military topics and a graded essay is then administered. Weapons qualification follows, along with an obstacle course, and an interview with the merit board. The final task includes demonstrating general army skills, with no rest in-between.

Eric Hunt 4Eric says he preferred the shooting, weapons maintenance, and land navigation aspects of the competition. However, thanks to his Oglethorpe education, he felt he was best prepared for the essay and interview.

Eric advises other students to make time to work toward your goals. “There is a lot that can get done if you make time for things,” he says. “If there is something you want, go for it.”