“STEALING BASE: Cuba at Bat” Explores Baseball, Culture, Politics and More

STEALING BASE: Cuba at Bat is a visual exploration of baseball through the varied perspectives of Cuban-born artists, and will be on view at the Oglethorpe University Museum of Art through December 7, 2014.

Arlés del Rio2

Arlés del Rio, Untitled from the series Esperando que caigan las cosas del cielo or Deporte nacional (Hoping That Things Fall from the Sky or National Sport), 2012. Shelley and Donald Rubin Private Collection.

The exhibition, part of the Shelley and Donald Rubin Exhibition Series, features works by 16 established and emerging artists: Jesoviel Abstengo-Chaviano, Alejandro Aguilera, Carlos Cárdenas, Yunier Hernández Figueroa, Duniesky Martín, Frank Ernesto Martínez González, Bernardo Navarro Tomas, Juan Padrón, Douglas Pérez Castro, Arlés del Rio, Perfecto Romero, Reynerio Tamayo, José Angel Toirac, Harold Vázquez Ley, Villalvilla, and Quisqueya Henríquez.  Mr. Rubin is a 1956 alumnus of Oglethorpe University.

The exhibition is curated by Rachel Perera Weingeist, director and curator of The 8th Floor in New York, and Elizabeth Peterson, director of the OU Museum of Art, with an exhibition essay by Orlando Hernández, a Havana-based curator. The original exhibition concept was the result of a long collaboration between Weingeist and Hernández that culminated in the summer of 2013 at The 8th Floor Gallery in New York.

Baseball is today, without distinction of classes, age and sex,
the preferred diversion of all [Cubans].”
– El Sport (Havana), Sept. 2, 1886

The arrival of baseball in Cuba coincided with the emergence of the independence movement in 1868. The sport quickly became a collective emblem of national identity. A love for baseball connects Cubans across race, religion, politics and geography. Pop-flys, stolen bases, and home runs provide meaningful and accessible imagery for Cuban artists. Responding not only to the sport as national pastime, their work has further sought to convey larger complexities within Cuban society. Stealing Base presents the work of a diverse range of contemporary artists, living in Cuba and in the U.S., who have found potency in the imagery of the sport.

“Without question, baseball is a great generator of meanings,” writes Orlando Hernández in his exhibition essay. “The game can and should be used as a grand metaphor to express or to understand not only art but the very reality in which we live.”

“Baseball has played an important role in the impugning, critical, and revolutionary spirit that Cuban artists have demonstrated when faced with acts of dogmatism, official intolerance, and censorship,” Hernández concludes. “Thanks to these brave artists, we realize that the game is not over yet.”

A series of events celebrating baseball and Cuban culture will accompany the exhibition:

  • September 17, 7:00 p.m., “Art, Activism & Social Justice,” by Elizabeth Peterson, Director, Oglethorpe University Museum of Art. Ms. Peterson who is also an adjunct professor for a CORE Art & Culture class at OU, will explore the use of art in propaganda and protest in both Cuba and elsewhere.
  • October 1, 7:00 p.m., “Ideas & Inspirations,” by Atlanta-based artist Alejandro Aguilera.  Mr. Aguilera is an Atlanta-based artist creating a special installation in Stealing Base.  He will talk about his personal connections to the island and how his memories play out in his art.
  • October 15, 7:00 p.m., “Baseball:  A Bridge for Reconciliation” by Hoji Silva Miret, a freelance consultant in leisure travel and tourism.  Mr. Miret immigrated to the U.S. recently and is living in New York City.  He will be talking about travel and tourism and U.S./Cuba relations.
  • October 22, 7:00 p.m., “From Peter Pan to Atlanta,” by Jorge Fernandez, Vice President, Global Commerce, Metro Atlanta Chamber. Mr. Fernandez came to the U.S. via Miami at the age of 10 through Operation Peter Pan.  He was a command pilot for the United States Air Force for 22 years, a Vice President for Delta Air Lines, and is now a Vice President for MAC.  He will discuss his personal story.
  • October 29, 7:00 p.m., “Snowplows in Havana: Irony in Cuban Art,” by Dr. Gail Gelburd, Professor of Art History, Eastern Connecticut State University. Dr. Gelburd curated Aijaco: Stirrings of the Cuban Soul. Her research projects focus on socio-political discourse, environmental issues, global perspectives and non-Eurocentricities.
  • November 5, 7:00 p.m., “Rundown between Spain and the USA: Cuban Independence and National Identity,” by Dr. Nicholas Maher, Associate Professor of History, Oglethorpe University. Dr. Maher will lecture about the late 19th century Cuban Independence Movement and the background to Cuban national identity in navigating a path between Spanish and U.S. cultures.

OUMA is open Tuesday through Sunday, from 12 noon – 5 p.m. General admission is $5 or free with a Petrel Pass and for OUMA members and children 12 and under.

Salvador Dalí, Mid Century Modern Exhibitions Headline at OU Museum of Art

This summer, the Oglethorpe University Museum of Art is presenting three concurrent exhibitions: MID CENTURY MODERN: Works on PaperSALVADOR DALÍ: Trilogy of Love, and KIMO MINTON: Jazz Abstractions, all on view through August 31.

“These exhibitions are inspired by the creative outpouring of art at mid 20th century, much of which was influenced by American jazz in its improvisational rhythm,” said OUMA Director Elizabeth Peterson. “Artists pulled narratives of dreamscape, religion, love, war, and other thematic motifs into a language of geometric and organic form, line, and color. This visual vocabulary could be combined or repeated like a musician playing variations on a theme.”

Joan Miró (1893-1983) The Lizzard with Golden Feathers

Joan Miró (1893-1983)
The Lizzard with Golden Feathers

MID CENTURY MODERN: Works on Paper features fine prints by American mid 20th century artists Alexander Calder, Helen Frankenthaler, Larry Rivers, Jim Dine, Adolph Gottlieb, and American composer/artist John Cage with Carl Sumsion are on loan from the Robert W. Woodruff Library at Emory University. Prints by Joan Miró, Marc Chagall, and others in the OUMA permanent collection will also be on view. These 1960s and ’70s works are a powerful representation of the Modernist, Surrealist, Abstract Expressionist movements in the U.S. and abroad. They also touch on the Color Field, Dada, and Kinetic art movements.

Salvador Dalí (1904–1989) The Prince of Love (The Hanged Man)

Salvador Dalí (1904–1989) The Prince of Love (The Hanged Man)

SALVADOR DALI: Trilogy of Love features a selection of large format lithographs by Salvador Dalí (1904-1989), including those in his Trilogy of Love series and his Retrospective Suite. Never one to embrace convention, this Spanish born giant of the Surrealist movement broke with fine print tradition producing hundreds of signed editions of his work. These prints are part of the OUMA permanent collection.

Kimo Minton (1950) Speak Riddles to Me

Kimo Minton (1950)
Speak Riddles to Me

KIMO MINTON: Jazz Abstractions presents a selection of color woodcuts, mixed media work, and sculpture by contemporary artist Kimo Minton (born 1950), courtesy of Atlanta’s TEW Galleries and the artist. Minton, whose work has been compared to that of American artist Stuart Davis (1892-1964) is pleased to embrace musical aesthetic viewers ascribe to his work. His free standing sculptures and bas relief wall pieces also bring to mind the work of one of the earliest Abstract artists Russian/French Wassily Kandinsky (1866-1944).

Oglethorpe University Museum of Art is open Tuesday-Sunday, 12 noon to 5 p.m. and closed Mondays and university holidays. General admission is $5. OUMA members and children under 12 receive free admission. Parking is free. OUMA is located on the third floor of Lowry Hall.

OUMA is supported by the Georgia Council for the Arts and is a proud member of Blue Star Museums, offering free admission to members of the military and their families from Memorial Day through Labor Day. OUMA is a member of the Southeastern Museums Conference, the American Alliance of Museums, and the Association of Academic Museums and Galleries. For more information, visit museum.oglethorpe.edu or call 404-364-8555.

International Internship Opens Eyes to the Real World

India_3

Like many students, sophomore Maggie Crawford ’16 planned an internship as part of her college experience. Unlike most others, her internship was also an international adventure—in India.

India_2Maggie, who is studying international marketing, an individually planned major, worked as a structural advisor for the Mysore Resettlement and Development Agency (MYRADA). In her role, she was responsible for counseling on operations and organizational improvements in MYRADA’s programs that benefit disadvantaged populations.

Maggie found this opportunity through Oglethorpe’s Atlanta Laboratory for Learning (A_LAB), which helps students to put their classroom learning into practice by combining “real world” experiences in professional development, global education, civic engagement, and/or undergraduate research.

India_4Internships abroad can be very different from those in the U.S., which Maggie found out firsthand. “You get to find out what it is like to work somewhere else and learn about the culture of their work,” she says. “By combining travel abroad and internships, you just get a better sense of why you’re there.”

Maggie also faced challenges in acclimating to a different culture. “First, there was the language barrier,” she says. “When I went, I learned a couple of words in Hindi, but I learned that they actually speak something called Kannada. So, it wasn’t actually helpful at all. And, they’d never seen an American where I went, so they were always looking at me.”

India_1Maggie now uses her international internship experience to inform her contributions to classroom discussions. “It has shown me different perspectives,” she says. “We were studying the temples in India in ‘Art & Culture.’ I actually got to see those, firsthand.” Overall, she says her global experience “has made me more aware of the people around me.”

Next on the Maggie’s itinerary is China, where she hopes to add to her repertoire of real world professional experiences around the world.

“The Crossing Over of Art & Science”

asf-2-magentaThe Oglethorpe University Museum of Art opens two new exhibitions this weekend: OPTIC CHIASM: The Crossing Over of Art & Science, presented in partnership with the inaugural Atlanta Science Festival, and BLIND/SIGHT: Conversations with the Visually Inspired.

OPTIC CHIASM - Irene K. Miller, Blink Again, 2013, monotype collage, framed 36x22

Irene K. Miller, Blink Again, 2013

OPTIC CHIASM explores the art of vision and science of sight, and includes art by Irene K. Miller, Kenn Kotara, Allan Eddy, Marcia R. Cohen, and Lisa Solomon, contemporary artists working in a variety of media, all of whom are inspired, influenced, driven and focused by and about issues of vision. Also on exhibit are the results of research in vision and optics by scientists affiliated with area institutions, including the Atlanta Veterans Administration Medical Center, Emory University, Georgia Health Sciences University, Georgia Regents University and Medical Center, and the Medical College of Georgia. Visitors also will have a chance to use a Camera Obscura and handheld pinhole cameras to learn more.

OPTIC CHIASM was organized by Nancy Lowe, director of Symbiosis Art + Science Alliance; Nicole Gerardo, assistant professor at Emory University, Department of Biology; and Elizabeth Peterson, director of OUMA.

Annie Maxwell, 60, blind from birth with no known cause. Photo by Billy Howard.

Annie Maxwell, 60, blind from birth with no known cause. Photo by Billy Howard.

BLIND/SIGHT, an exhibition created and organized by photographer Billy Howard and illustrator Laurie Shock, presents a collection of photographs of people with vision loss, a biography of each person including a description of their vision, and an interpretative illustration of what they see. This exhibition celebrates the 50th anniversary of the Center for the Visually Impaired and is made possible in part by CVI, VSA Arts Georgia, the Fulton County Arts Council, and Georgia Council for the Arts and the Grassroots Arts Program.

In partnership with the festival, OUMA will host three free events open to all:

  • Saturday, March 22, 12 noon-5 p.m. – Open House, with an introduction to the exhibition OPTIC CHIASM by the three co-curators at 2 p.m.
  • Wednesday, March 26, 5:00-7:00 p.m. – Public Reception, with an introduction to the exhibition OPTIC CHIASM by the three co-curators
  • Wednesday, March 26, 7:00 p.m. – Following the public reception, two lectures will be presented: “Visions: A Look at Creativity and Disability” by Elizabeth Peterson, director of OUMA, followed by “Art-Science in America: Building Up STEAM” by Nancy Lowe, director of Symbiosis Art+Science Alliance

A Wednesday Lecture Series will complement the exhibitions.  Both exhibitions run through May 4, 2014.

Class Project Reflected in German Calendar Design

German Class and Calendar Cover

Christie Pearce ’15 (center) pictured along with Professor Ochmann’s class, holding the calendar’s cover

German Calendar (10)During the fall 2013 semester, Professor Matthaeus Ochmann’s German class was assigned a project to keep a personal vocabulary development journal. As part of the assignment, junior Christie Pearce composed a list of 50 German words that are interchangeable in English and do not have an English equivalent, such as “diesel” and “kindergarten.” Intrigued, the class used her list for a quiz during an on-campus German cultural event.

Ochmann, a visiting instructor from Germany, shared the event’s success with his father. This reminded his father, a graphic designer, of his time working affiliated with Scheufelen, a German printing company that creates an “art calendar” every year. He mentioned the word list to Scheufelen, and coincidentally their 2014 calendar features graphic representations of the German words and explanations of their uses in both English and German.

German Calendar Permanent Location (3)

The calendar in its permanent location in the library.

The calendar, which recently won a design award, was created using various printing methods and different types of thick, high quality paper to showcase the company’s work. With only 3500 copies printed, the calendar is in limited supply and costs approximately $135 to purchase.

Because of the correlation between the calendar idea and Christie’s list, Scheufelen sent the class two of the calendars as gifts. Christie received one, and the other was given to  Oglethorpe’s Weltner Library to display.